Curriculum Vitae

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Sandy O’Sullivan, Ph.D

2/8-12 Macquarie St. Newstead. QLD. 4006
  07-3254-2835
sandy@sandyosullivan.com

Lecturer
Multimedia Design ~ Writing ~ Installation and Curation

Dynamic and motivated Indigenous academic with a Ph.D in Fine Art (multimedia) from the University of Newcastle. Strong curriculum development and delivery skills, with an excellent knowledge of current trends in the art and design industries.  Fifteen years multimedia design experience working in both education and corporate sectors with a solid track record of practical exhibition work and research dissemination.  Good communication skills and an enthusiasm for classroom delivery, online teaching contexts and practice-based, publishable research outcomes.

PROFESSIONAL EXPERIENCE

BATCHELOR INSTITUTE Australia (2006-Present)
Manager, Online Presence/Research Development
  • Planned the strategic delivery of online media development through a 5,000 student/450 staff member Institute, across 42 campuses and annexes
  • Spearheaded the internationalisation of the Institute profile, through the development of an online learning environment and US-focused promotion
  • Lead consulting on a range of national infrastructure grant projects
  • Researched, installed and managed an online research network, including archival storage and management
  • Designed the updated corporate branding of the Institute’s online presence
  • Managed a team of multimedia specialists through a major redevelopment of the online presence of the Institute
  • Authored a range of training manuals on digital decision making, including [2007] Manage the Future: digital decision-making for non-technical Project Managers
  • Consultation on the development and federation of a complex online HR system
THE UNIVERSITY OF NEWCASTLE Australia (2002-6)
Course Coordinator/Professor (2002-6)
  • Delivered multiple courses in Digital Imaging, Broadcast and Design Studies in the Faculty of Education and Arts
  • Co-developed online training packages for the multimedia and video-production program
  • Engineered a virtual housing environment for intermediated design materials
  • Published several articles and spoke at international conferences on design and multimedia
Curriculum Development Research Project (2004-5)
  • Developed the curriculum documentation for Australia’s first accredited Indigenous Leadership Program
  • Edited the accreditation package materials for submission to the national vocational training agency
HIGHER COLLEGES OF TECHNOLOGY Dubai, United Arab Emirates (1998-2001)
Department Head, Broadcast Media and Interactivity: Communication Technology
  • Curriculum management and delivery of a higher education program in Broadcast Journalism, Media Writing and Time-based Media
  • Negotiation of student placement with media agencies throughout Dubai and the UAE
  • Active membership of Dubai Press Club
  • Coordinated a $10M fit-out of a full broadcast studio
  • Trial work on the introductory WebCT program, including the development of some of the first online learning environments
  • Regular on-air promotional segments with the Emirate-wide radio station (Dubai Radio)

FREELANCE DESIGNER SOS Designs, Australia (1993-present)
Featured Corporate Design Work

  • Designer in residence at Wollongong City Gallery, involving the development of a public lecture series on multimedia, in addition to the generation of a series of exhibitions and websites (incl. Wolllongong Online Arts Network) (1994-6)
  • Design of a series of Western-focused ads for Dubai Summer Surprises Campaign (2001)
  • The design of an interactive in-house instructional DVD for Emirates Banking Group (2000)
  • Design of a series of posters for Opera Australia’s (then Australian Opera) 1998 touring program.
  • The development of a website for the American artist, Anne Wilson for her work: Hair Inquiry at the Chicago School of the Art Institute (1996)
  • Future Tense: a video interface installation for LendLease Corp (1996)
  • Construction of the Wollongong Online Network for Wollongong City Council (1996)

FREELANCE FOLEY ARTIST Australia, NZ (1995-8)
Featured Foley in Production

  • Upwards of 120 synched fx produced per two-day schedule for Xena: Warrior Princess. DSP Sound Productions. Auckland, NZ
  • Complex synched fx produced for (Australian) Channel Seven’s live children’s programming .
UNESCO - WORLD'S WOMEN ONLINE Beijing, China, NZ (1995)
Project Management and Web Design

  • The curation of a culturally inclusive promotion-focused arts website for the UN’s Fourth World Conference on Women in Beijing
  • Provided training in new technologies to artists

UNIVERSITY OF WOLLONGONG Wollongong, Australia (1993-97)
Lecturer (part-time)

  • Delivery of courses in the Theatre (sound and lighting) and Design Programs within the Faculty of Creative Arts
  • Participation in curriculum development for new media courses

EDUCATION, SKILLS & TRAINING


The University of Newcastle, Australia
Doctor of Philosophy (Design/Multimedia) •.  Awarded 2006

University of Wollongong , Australia
Bachelor of Creative Arts (Honours) •.  Awarded 1993

School of Audio Engineering Institute, Australia
Advanced Studio Sound Certificate •.  Awarded 1989

ADVANCED COMPUTER SKILLS

Web Design

Macromedia: Dreamweaver, Flash, Fireworks, ImageReady, animation and 3d imaging.  Advanced knowledge of CSS, X/HTML, Java, PHP, ASP, object interactivity, sound and video streaming and the standard range of wysiwyg programs

Graphic Design

Adobe: Photoshop, Illustrator, AfterEffects

Multimedia

Advanced knowledge of Flash, Director, direct-script interactive, Adobe Premiere, Final Cut Pro (Suite)

Print Production

In-Design, Quark Xpress, Publisher, Acrobat Pro

Photography

Advanced skills in photography, lighting and set design, and a range of photographic and media archive tools

Systems

Windows and Mac OS, Payment Gateways

Project Management

MS Project, AuthorIT, MS Office, Contribute, generic single and multi-user tools, image databank and archival tools


PROFESSIONAL TRAINING/SHORT COURSES

Train the Trainer Certificate IV
MAYA (Animation) for NT Introductory Course
Managing Employee Performance
Conflict Resolution
Cultural Awareness
Financial Budgeting for Senior Managers
Project Targeting and Completion

SAMPLE PUBLICATIONS

[2007]Human Remains: Anthropodermic Bibliopegy and the appeal of the extreme in the appropriation of Indigeneity Ngoonjook: Journal of Australian Indigenous Issues,No. 20, Mar. 2007: pp9-13.

[2007- completing] Manage the Future: digital decision-making for non-technical Project Managers - 2008 Publication

[2007- completing] Manage the Future: digital decision-making for non-technical project managers.  Batchelor Press – 2008 Publication

[2007] Code-Switching into the New Millenium: minority workers in the digital age.

[2006] Introduction to the Use of Learning Management Systems in a Remote Classroom Context

[2004] Multimedia and Animation in Online Contexts: a Step-by-step Introduction           

[2004]Review: Revealing Male Bodies.  Journal of Interdisciplinary Studies (JIGS). Vol. 9:2, Dec, 2004: p119.

(2004) Indigenous Reflections: Researching [CD]. Pub: Umulliko Indigenous Higher Education Research Centre, Newcastle.

(2004) Listening to Indigenous Voices on the Coast [writer, dramaturg].  Performed by ImaginedARTS, Central Coast, NSW. Pub: University of Newcastle

(2002) The [drag] King of the Sandpit [writer, performer]. Performed by ImaginedARTS, Central Coast, NSW. Pub: University of Newcastle.

(1996) Resonant Voices: Gravity [CD]. Pub: Wollongong City Gallery.(1995) Geta.new@ddress: artists inhabiting cyberspace. OBJECT: Craft Council of NSW publication, Issue.1: 1995.

(1994) Creative Arts - contacting the artist through the web. Article in Internet On-Line, (Pub Mar 1994, infobot@wired.com)

Full publication list and samples are available if required.

GUEST LECTURES

STOMP Cultural Festival 2006 – Lecture on Indigenous Contemporary Cultural Issues (2006)
University of Iowa, Diversity Undergraduate Program – Gendered performance modalities (2004)
University of Idaho, Women’s Studies Program – Gendered performance modalities (2004)
Nova Scotia College of Art and Design (NSCAD University) – Gendered performance modalities (2004)
Abu Dhabi Men’s College – Public Address on Communications in the United Arab Emirates (1999)
College of Fine Art (COFA), UNSW – Three lecture series on the role of intermediation in sound and web-based delivery modes (1995-96)

SELECT CONFERENCE PAPERS

9th Annual Indigenous Researchers Forum  – Keynote Address – Multimedia/Intermedia Strategies as an Indigenous dissemination tool for practice-based research  (July 2007 – Alice Springs, Australia)
9th Annual Indigenous Researchers Forum – Workshop – Indigenous Imprint: evaluating and using multimedia as a strategy for research within the academy: http://www.regionaleventsaustralia.com/index/irf_sandy
Charles Darwin University Internetworking Communities Lecture Series - Digital Stories and other multimedia strategies for Indigenous knowledge work (22nd March, 2007)
STOMP Cultural Festival 2006 – Lecture on Indigenous Contemporary Cultural Issues (2006)
University of Iowa, Diversity Undergraduate Program – Gendered performance modalities (2004)
University of Idaho, Women’s Studies Program – Gendered performance modalities (2004)
Nova Scotia College of Art and Design (NSCAD University) – Gendered performance modalities (2004)
Abu Dhabi Men’s College -Public Address on Media in the United Arab Emirates (1999)
College of Fine Art (COFA), UNSW – Three lecture series on the role of intermediation in sound and web-based delivery modes (1995-96)

SELECT GRANTS, AWARDS, SCHOLARSHIPS

Australian Indigenous Person’s Postgraduate Award – Full PhD Scholarship
Australia Council for the Arts – Indigenous Performance Funding – Listening to Indigenous Voices on the Coast
Leadership Award –Dept of Tourism and Commerce Marketing, Dubai, UAE.  Dubai Summer Surprises Graphics Development
National Association for the Visual Arts (Australia) Funding Award – Resonant Voices: Gravity CD
NSW Ministry for the Arts – No Dress Regulations - CD Funding

SOLO/GROUP EXHIBITIONS AND PERFORMANCES

SOLO

2006  The Multifarious Identity: intersections of gender, sexuality and Indigeneity [multimedia sound/video/paper-based/object installation] Watt Space, Newcastle, Australia.

2001 Single and Desperate [performance series] Multiple Locations, Sydney, Melbourne, Canberra, Australia.

1998  Australian Love Stories [multimedia installation] Project Contemporary Artspace, Wollongong, Australia.

1995 The Clean Room: The Visible Heart [installation and portable soundtext] Wollongong Regional Gallery.

1996 Holding Me [sound installation and performance] Wollongong Regional Gallery.

1995 Elv-ish [drag performance] Sydney Gay and Lesbian Festival

1993  When I think of her, I imagine myself [sound installation/text performance] Wollongong Performance Space, Australia.

GROUP

2006 Good and Fair: Lift Up Thy Prayer for the Remnant That is Left [multimedia video/sound work] PINK II EXHIBITION, Maitland Regional Gallery, Australia.

2005 A Lovely Exhaustion [sound installation]ART FIRST EXHIBITION, Mt Penang Parklands Gallery of Contemporary Art,  Australia.

2001 Boundaries [sound installation] Queer 2001 Exhibition – Gallery Equinox, Austinmer

1997 Talking, Talking [soundtext and print media] Memento Exhibition, The Casula Powerhouse, Sydney

1997 Woods [soundtext performance] Project Contemporary Artspace, Wollongong

1995 Tales from a Suitcase [sound editing, radio broadcast] Ethnic Communities Council of the Illawarra

1993 Strong Marks that Fly Wide [sound installation] The Long Gallery, Wollongong

PERFORMANCE

2002  The [drag] King of the Sandpit [writer, performer]. ImaginedARTS, Central Coast, NSW. 

1996  Future Tense. [multimedia] Sidetrack Theatre Company, Sydney.

1994-95  Cantata of the Warrior Woman (lx/snd design] Belvoir St Theatre, Sydney, and Elet, Paris. 

1995  DK PERV [performer] IGN, Sydney Gay and Lesbian Festival.

1993  Steel Magnolias [snd design] Theatre South Company, Bridge Theatre, Wollongong.

1992 Wildcat Falling [snd and lx] New Theatre, Newtown, Sydney 

**As an exhibiting artist and performer, I have a lengthy exhibition/performance record, and can provide further detail if required.

AREAS OF CURRENT RESEARCH

CURRENT RESEARCH PROJECT

  • Anthropodermic bibliopegy and the role of the Indigene in managing culturally difficult materials: solutions through inter-media arts practice and curation (USA)

ONGOING RESEARCH

  • Production of intermediated art in multidimensional spaces
  • Vocal performance practice and cultural code-switching
  • Sound and lighting in curatorial practice
  • Multimedia development in Indigenous arts practice
  • Indigenous art and autobiography
  • Alternative dissemination processes in Indigenous arts research

ADJUNCT RESEARCH STUDENT SUPERVISION

  • The University of Newcastle (1 Student –Music and Multimedia– completing 2008)
  • Batchelor Institute of Indigenous Tertiary Education (1 Student – Indigenous Curation Techniques - completing 2007

BOARD MEMBERSHIPS (PAST AND CURRENT)

  • Dubai Press Club
  • NAVA (National Association for the Visual Arts)
  • Australia Council for the Arts (Media Arts Board)
  • Senior Management Board (Batchelor Institute- current)
  • Academic Senate (University of Newcastle)
  • Wollongong Online Arts Network
  • Project Contemporary Artspace Curatorial Board

REFERENCES

A.W. Joe Fraser
Head of School
Education, Arts and Social Sciences.
Batchelor Institute, NT, Australia
email: joe.fraser@batchelor.edu.au

Prof. Anne Graham
Chair of Fine Art
Faculty of Education and Arts
The University of Newcastle, NSW, Australia
email: anne.graham@newcastle.edu.au

Dr Roman Onufrijchuk
Professor of Media
School of Communication
Simon Fraser University, BC, Canada
email: roman@sfu.ca

Lara Dunstan
Lonely Planet Senior Contributor
email: laradunstan@mac.com

 

Full contact details and additional referees can be provided if required.